
Holly Veselka is a new media artist and her work has been presented at numerous venues such as Torrance Art Museum, Fotofest, Currents New Media, Artpace, Wave Hill, NARS Foundation, AURORA, and Lage Egal. Recent projects include Lost Thicket, a site-specific installation at the San Antonio Botanical Garden, and commissions for Aurora in Dallas and Frisco. Her films have screened at film festivals such as the Video Art and Experimental Film Festival in New York, and she has received numerous residencies and fellowships, including the British Council-supported X-Change program in Shetland, ACRE, Lawndale Art Center, and the Polish Academy of Sciences in Białowieża. Her work has been supported by the Puffin Foundation and the Ruth and Harold Chenven Foundation and has been featured in publications including Hyperallergic, Gulf Coast Journal, and Glasstire.
This portfolio features a selection of works created since 2021.
This portfolio features a selection of works created since 2021.
Fried Eggs and Rockets, 2025
Fried Eggs and Rockets, 2025, 6:45 minutes, HD video, courtesy the artist
Working from a home office, a woman is programmed to either talk to an AI about eggs and rockets, or look out the window where she sees a deer dying in childbirth in a hot landscape. So, she talks to the AI. She says…
Fried Eggs and Rockets reflects on the futures we are programming into being and the fragile lives caught in that trajectory. Inspired by a SpaceX rocket launch, the dialogue is drawn from an extended conversation I recorded with ChatGPT. Using 3D modeling, CGI, and generative AI tools, I explore fragile ecologies, technological mythologies, and the uneasy relationship between care and destruction.
Fried Eggs and Rockets reflects on the futures we are programming into being and the fragile lives caught in that trajectory. Inspired by a SpaceX rocket launch, the dialogue is drawn from an extended conversation I recorded with ChatGPT. Using 3D modeling, CGI, and generative AI tools, I explore fragile ecologies, technological mythologies, and the uneasy relationship between care and destruction.
Lost Thicket, 2025
Lost Thicket, 2025, 15:30 minutes, multichannel HD video installation, 3D-printed bioplastic sculptural relief on birch panels, 162 × 192 in. and 111 × 168 in., found rocks; Commissioned by San Antonio Botanical Garden for the exhibition Reflections in Nature
Lost Thicket (detail), 2025, birch panel with 3D-printed bioplastic relief, 162 × 192 in.
Installed inside a preserved nineteenth-century log cabin, Lost Thicket reflects on the incompleteness of ecological archives. In the southern pine forests, industrial logging erased millennia of biodiversity in mere decades. In this installation, I reference sacred architecture, meditative practices, ecological loss, and digital artifice to create a subtly unsettling environment that asks how digital technologies echo extractive industries and reshape ecological memory.
Inside the cabin, I use projectors to cast video onto suspended panel walls with 3D-printed relief. A meditative surround-sound composition, built from field recordings and solfeggio frequencies, enhances the immersive environment. The relief imagery and animation originate from a photographic archive I created at the Big Thicket National Preserve and developed through an experimental workflow involving AI and 3D modeling.
Inside the cabin, I use projectors to cast video onto suspended panel walls with 3D-printed relief. A meditative surround-sound composition, built from field recordings and solfeggio frequencies, enhances the immersive environment. The relief imagery and animation originate from a photographic archive I created at the Big Thicket National Preserve and developed through an experimental workflow involving AI and 3D modeling.
Lost Thicket (detail), 2025, installation at the San Antonio Botanical Garden’s East Texas log cabin
u/digital_smarthome, 2025
u/digital_smarthome, 2025, 5:38 minutes, 4K video (web 1080p), courtesy the artist
u/digital_smarthome, 2025 traces the extractive reshaping of America's southern pine forests, considering how extractive systems continue into digital technoscapes. Working with AI-altered archival images, Smart Home reveals continuities between ecological erasure and contemporary digital realities. By animating and distorting historical photographs, the archive becomes destabilized, allowing the video work to move between documentation and speculative fiction.






Earlier iterations of this project appeared as edited stills on the cover and in a multi-page spread in Gulf Coast: A Journal of Literature & Fine Arts, Vol. 37.2 (Summer/Fall 2025).
Portfolio for Gulf Coast:
1. Logging Train 1888, 2024
2. Logging 1907, 2024
3. Tracks 1939, 2024
4. Divining Rod #1 1939, 2024
5. Divining Rod #2 1939, 2024
6. Prairie 1900, 2024